Things Curvilinear, 2016Installation view, Lokaal 1B, Amsterdam (NL)

Things Curvilinear, 2016
Installation view, Lokaal 1B, Amsterdam (NL)

Walking Sideways (I, The Backward Eye), 2016Acrylic sheet, gouache on paper, aluminum frame,244 x 122 cmWalking Sideways (II, Face To Face), 2016Wood, printed carpet, aluminium frame, 244 x 122 cm

Walking Sideways (I, The Backward Eye), 2016
Acrylic sheet, gouache on paper, aluminum frame,244 x 122 cm
Walking Sideways (II, Face To Face), 2016
Wood, printed carpet, aluminium frame, 244 x 122 cm

Of naked ground III (p), 2015C­-print (framed), 228 x 160 cm

Of naked ground III (p), 2015
C­-print (framed), 228 x 160 cm

Of Naked Ground III (p)

Someone, Anyone: Varieties In Distances, 2016Gouache on wall, dimensions variable

Someone, Anyone: Varieties In Distances, 2016
Gouache on wall, dimensions variable

Salmon leaping time to a standstill, 2016Installation view, Luceberthuis, Bergen NH (NL)

Salmon leaping time to a standstill, 2016
Installation view, Luceberthuis, Bergen NH (NL)

Word for word, 2015Gouache on paper, 300 x 280 cmInstallation view, Luceberthuis, Bergen NH (NL)

Word for word, 2015
Gouache on paper, 300 x 280 cm
Installation view, Luceberthuis, Bergen NH (NL)

Salmon leaping time to a standstill

Of naked ground II (p), 2015C-print (framed), 228 x 160 cmInstallation view: Luceberthuis, Bergen NH (NL)

Of naked ground II (p), 2015
C-print (framed), 228 x 160 cm
Installation view: Luceberthuis, Bergen NH (NL)

Salmon leaping time to a standstill, 2016Installation view, Luceberthuis, Bergen NH (NL)

Salmon leaping time to a standstill, 2016
Installation view, Luceberthuis, Bergen NH (NL)

Apophänie, 2015Installation view: De Nederlandsche Bank, Amsterdam (NL)left: Helen Verhoeven

Apophänie, 2015
Installation view: De Nederlandsche Bank, Amsterdam (NL)
left: Helen Verhoeven

Apophänie with Helen Verhoeven

Paired angles (objects), 2014Copper, mirror, acrylic sheet, diverse materials, dimensions variable

Paired angles (objects), 2014
Copper, mirror, acrylic sheet, diverse materials, dimensions variable

Reintroducing the familiar, 2014Wood, oil paint, glass, pvc tube, foil, 17 x 100 x 70 cm

Reintroducing the familiar, 2014
Wood, oil paint, glass, pvc tube, foil, 17 x 100 x 70 cm

Anywheres: Diptych on office wall, 2014Gouache on wall, dimensions variableInstallation view: Manifesta foundation and DutchCulture Offices, Amsterdam, NL

Anywheres: Diptych on office wall, 2014
Gouache on wall, dimensions variable
Installation view: Manifesta foundation and DutchCulture Offices, Amsterdam, NL

Things Curvilnear, 2016Installation view, Lokaal 1b, Amsterdam (NL)

Things Curvilnear, 2016
Installation view, Lokaal 1b, Amsterdam (NL)

Things Curvilinear

Things Curvilnear, 2016Installation view, Lokaal 1b, Amsterdam (NL)

Things Curvilnear, 2016
Installation view, Lokaal 1b, Amsterdam (NL)

With no hands. Like a sea, 2016Installation view, Arcade, London

With no hands. Like a sea, 2016
Installation view, Arcade, London

With no hands. Like a sea, 2016Installation view, Arcade, London

With no hands. Like a sea, 2016
Installation view, Arcade, London

With no hands. Like a sea

With no hands. Like a sea, 2016Installation view, Arcade, London

With no hands. Like a sea, 2016
Installation view, Arcade, London

Elastic Visions, 2014C-print, 33,5 x 28,6 cm

Elastic Visions, 2014
C-print, 33,5 x 28,6 cm

Adult Conversations I: The Dissapearence Act, 2016C-print (framed): 45 x 35 cm

Adult Conversations I: The Dissapearence Act, 2016
C-print (framed): 45 x 35 cm



With no hands. Like a sea, 2016Installation view, Arcade, London

With no hands. Like a sea, 2016
Installation view, Arcade, London

As birds feel shadow (I,II,III)

All these points of breathing and touching

with Freek Wambacq

Elastic Visions